Analog interface drift. I was told that with each analog/manual interface, a small amount of drift or irregularity is introduced. This is a favorable outcome that heightens the appreciation of the music experience.
Meet the SnarkBots. These guys have a stated goal of introducing “rigidly defined areas of ambivalency.” Or something like that. I didn’t quite catch what they said— I was distracted by the ridiculous smiles they had spray painted just below their eyes. Is this robot comedy?
These buttons will be available at our next event, local retail outlet, and eventually our on-line store.
Just as all “big things” happen, there was no preface, no hints, at what perception-altering event lay ahead. One moment the dry, dusty emptiness of the tunnel system, and then, in a shallow alcove, evidence of an entirely unknown facet of the robots’ existence. The edge of the map had been unfolded to reveal a terrible landscape.
Holding up a hand to shield sensors from glare, the robot paused their traverse of a rocky bluff and gazed out over the plains, washed in the red light of the sunset. In the hazy distance, mysterious structures loomed, a decaying arc of particular interest.
As much as there is out in the light, there is probably just as much in the dark. A robot took me down to what appeared to be storm surge tunnels beneath an older part of the city. I didn’t go too far into the tunnel but the robot did not follow me. Strange. They provided no explanation for why they would not venture past the mouth of the tunnel.
This is the first in a series of drawings using the contents of Marker Universe‘s “January blind box”: A curated selection of various markers and pens from Karin, Graph It, Sketchmarker, and Aristo.